Showing posts with label 1897. Show all posts
Showing posts with label 1897. Show all posts

Friday, 13 March 2026

Kovařovic: The Dogheads

Opera no 32

Kovařovic: The Dogheads

Soloists

Prague radio orchestra and choir

František Dyk


Kovařovic is primarily remembered for his connection with Janáček: he conducted the 1916 Prague revival of Jenůfa, which did much to establish Janáček's international reputation. But in doing so he revised and re-orchestrated some of the work and for 60 years or so the opera was almost always heard in Kovařovic's version.

As a composer Kovařovic wrote several operas before his appointment as musical director of the Prague National Opera meant he had no more time to compose large scale works. This opera, about a rebellion against the Hapsburg forces in 1695 was his most popular work and remained on the fringes of the repertoire in the Czech lands for many years.  

It is quite an old-fashioned piece for an opera written at the very end of the 19th century. It feels, and sounds, like something from a generation earlier. It has all the apparatus of a French grand opera with lots of blood and thunder and, to be frank, little subtlety. But on its own terms it was enjoyable and clearly shows a composer who understood the theatre and the power of opera to convey emotion and fervour.

I can't imagine that it could ever make any headway outside the Czech lands, and is really now of historical interest only. But that doesn't make it any the less enjoyable as a one-off experience.



Saturday, 7 March 2026

Fibich: Šárka

Opera no 30

Fibich: Šárka

Soloists

Vienna Radio Symphony Orchestra

Sylvain Camberling


Fibich is a name which still has a slight resonance among , at least older, listeners because his poem used to be a staple of the violin recital in an arrangement by  Jan Kubelik.  I don’t think that I have ever heard any more of his music.

I really enjoyed this opera. It was full of drama and strong characterization. The story is a classic of Czech folklore and was also the subject of an opera by Janáček and a tone poem by Smetana but this opera doesn’t suffer by comparison with that august company. Fibich has a real dramatic flare and a gift for melody. Some of the ensembles were really spine tingling. Fibich’s operas have never really travelled outside the Czech lands (unlike those of Smetana and Dvořák) which on the evidence here is a great pity. This piece would certainly command the stage anywhere.